What’s New with Turnstile? An Inside Look at Never Enough
If you’re still wrapping your mind around Turnstile’s latest offering Never Enough, you’re not alone. As I stumbled upon a captivating cover story on the band, one image stood out: a stunning photo by Quinn Batley. Shot from below, the band members are basking in sunlight, reminiscent of iconic LP covers from the late ’60s. But here’s the twist—they’re actually in Baltimore, leaning against the gravel of the Northeast Corridor rail line, while an Amtrak train whizzes by. A powerful visual that encapsulates the collision of past and present, wouldn’t you agree?
An Album with Layers
Now, while the album cover is a minimalist affair featuring a washed-out double rainbow, the music inside is anything but bland. Never Enough fuses the gritty charm of folk-rock with a dreamy synth ambiance—it’s a delightful paradox striking a balance between raw energy and a polished atmosphere. Although Amtrak may not scream hardcore punk, it’s surprisingly apt for a band that stitches together the two vibrant scenes of DC and Baltimore, all while tracking through the sunny studios of Southern California.
Welcome to the Future of Punk
It’s amusing to think of a hardcore punk band kick-starting their album with a jet-ski in the accompanying video—yep, you heard that right! Directed by frontman Brendan Yates and guitarist Pat McCrory, the clips explore themes of isolation and consumerism that punk often critiques. Picture this: Yates against a vast ocean, embodying the emptiness of modern culture. It’s a contrast that invites deeper reflection on the title track’s idea of limitless desire in a world that often feels constrained.
The Pulse of Baltimore
Turnstile’s Never Enough transcends superficial genre boundaries, and its unique sound journeys through a variety of styles—from hardcore to ambient beats. The album includes collaborations with industry titans like Devonté Hynes (Blood Orange) and Hayley Williams (Paramore), blurring the lines between different musical communities. It’s as though Turnstile is encouraging listeners to explore their desires while getting lost in the rhythm—an invitation to a communal, celebratory experience.
Musical Adventures Await
The rich landscapes of California echo in the album’s varied tracks, where emotional isolation meets joyous expressions. Songs like “Dull” lead to exhilarating peaks in “Look Out for Me,” a song welcomed by an eclectic mix of sounds that make you want to pogo.
But it’s not just about high-energy jams. “Birds,” the standout track, presents a whirlwind of sonic evolution that embodies community while recognizing the depth of individuality. It’s the perfect anthem for those seeking freedom amidst chaos.
Balancing Act
Let’s not forget: Turnstile is negotiating the tricky terrain of modern fame while still paying homage to their roots. Their performances capture the essence of punk rock—a world where everyone can express themselves freely. It’s a refreshing twist in a music industry fraught with commercialization, and you can’t help but root for them.
In short, with Never Enough, Turnstile stands at the crossroads, merging underground authenticity with mainstream accessibility. They’ve tapped into something powerful—both an homage to punk history and an exploration of the future. If the past few years are any indication, this is just the beginning. Can’t wait to see where the journey takes them next!
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